Our attack was strong, and we were playing bebop, the modern style. He was noted for his rich, resonant, almost operatic bass-baritone voice. Earl Hines and His Orchestra & Billy Eckstine, Love Songs by Rodgers and Hammerstein (with Nelson Riddle and His Orchestra), Broadway (feat. Eckstine became a solo performer in 1947, with records featuring lush sophisticated orchestrations. He recorded albums for Mercury and Roulette in the early 1960s, and appeared on Motown albums during the mid to late 1960s. | He attended Peabody High School before moving to Washington, DC. His huge, distinctive baritone made him one of the first African American singers to have mainstream success. Available with an Apple Music subscription. ", In 1944, Eckstine formed his own big band and it became the finishing school for adventurous young musicians who would shape the future of jazz. ", Lionel Hampton: "He was one of the greatest singers of all time.... We were proud of him because he was the first Black popular singer singing popular songs in our race. Copyright © 2020 Apple Inc. All Rights Reserved.
Artist descriptions on Last.fm are editable by everyone. He designed and patented a high roll collar that formed a B over a Windsor-knotted tie, which became known as a Mr. B. Collar. Eckstine was the subject of a three-page profile in the 25 April 1950 issue of LIFE magazine, in which the photographer Martha Holmes accompanied Eckstine and his entourage during a week in New York City. Eckstine's final word was "Basie". https://josephcrusejohnson.blogspot.com/2009/02/billy-eckstein.html Creative Commons Attribution-ShareAlike License. Leave feedback. Eckstine returned to his jazz roots occasionally as well, recording with Vaughan, Count Basie, and Quincy Jones for separate LPs, and the 1960 live LP No Cover, No Minimum featured him taking a few trumpet solos as well. Eckstine was a style leader and noted sharp dresser. | The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Joe Williams, Arthur Prysock and Lou Rawls.". The band featured at various times a large number of rising jazz stars, including: Saxophones: Gene Ammons, Dexter Gordon, Sonny Stitt, Lucky Thompson, Charlie Parker, Wardell Gray, Budd Johnson, Leo Parker Trumpets: Dizzy Gillespie, Miles Davis, Kenny Dorham, Fats Navarro Drums: Art Blakey Singers: Lena Horne, Sarah Vaughan. 22 success in the UK Singles Chart.. William Clarence “Billy” Eckstine (July 8, 1914 – March 8, 1993) was an American singer of ballads and bandleader of the swing era. Although best known as a singer, his openness to new music made him a strong influence on modern jazz, particularly bebop, as he gave employment to many of the musicians who founded the style.  He left Howard in 1933, after winning first place in an amateur talent contest. " Holmes would later describe the photograph as the favorite of the many she had taken in her career as it "...told just what the world should be like". By that time, Eckstine had begun to make a name for himself through the Hines band's juke-box hits as "Stormy Monday Blues" and his own "Jelly Jelly. The collars were worn by many a hipster in the late 1940s and early 1950s. Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music.
This article uses material from the article Billy Eckstine from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License. Though white bands of the era featured males singing straight-ahead romantic ballads, black bands were forced to stick to novelty or blues vocal numbers until the advent of Eckstine and Herb Jeffries (from Duke Ellington's Orchestra).Though several of Eckstine's first hits with Hines were novelties like "Jelly, Jelly" and "The Jitney Man," he also recorded several straight-ahead songs, including the hit "Stormy Monday."
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